Witch Bottle Print
Inspired by an old English folk magic practice, evidence of which has come to light in the rebuilding and renovating of old buildings in recent years. The making of witch bottles dates back at least to the 15th century and is a form of apotropaic charm (i.e. one that wards off evil). If someone believed that they were the victim of a witch's spell, they would take an old pot-bellied bottle, often made of blue or green glass, or a stoneware container known as a Bellarmine, and fill it with various curious ingredients... First the worried spell victim would drop in some bent iron nails or pins, then some of their own hair, and lastly their urine. Sometimes other items like thorns or pieces of wood, nail clippings, stones, bones, ash, menstrual blood, oil or coins were added to this. Then the bottle would be corked and buried in a significant place. Many witch bottles have been discovered underneath the hearth stone, hidden in walls or at the threshold of the house. The idea behind this was that if a witch was sending her spirit to harm you, she would most likely try to enter your home through a doorway, chimney, or other entranceway. If there was a concoction made from your own bodily fluids in her way, she would turn her attentions on that, presuming it was you and get herself caught on the bent iron nails. So if there appeared in the nearby vicinity someone with a dreadful sudden affliction or who experienced terrible pain whilst urinating, then it was likely to be the witch! Archaeologists have found only four bottles still completely intact with evidence of urine and hair and all sorts of other delights within. In fact, these witch bottles were often thought to explode on the death of the witch, so perhaps these are cases where the charm did not work.
My painting imagines things from the point of view of the witch and what it would be like to be caught there inside a bottle for eternity.
Print from an original painting in oils on burr walnut wood made in 2008.
Inspired by an old English folk magic practice, evidence of which has come to light in the rebuilding and renovating of old buildings in recent years. The making of witch bottles dates back at least to the 15th century and is a form of apotropaic charm (i.e. one that wards off evil). If someone believed that they were the victim of a witch's spell, they would take an old pot-bellied bottle, often made of blue or green glass, or a stoneware container known as a Bellarmine, and fill it with various curious ingredients... First the worried spell victim would drop in some bent iron nails or pins, then some of their own hair, and lastly their urine. Sometimes other items like thorns or pieces of wood, nail clippings, stones, bones, ash, menstrual blood, oil or coins were added to this. Then the bottle would be corked and buried in a significant place. Many witch bottles have been discovered underneath the hearth stone, hidden in walls or at the threshold of the house. The idea behind this was that if a witch was sending her spirit to harm you, she would most likely try to enter your home through a doorway, chimney, or other entranceway. If there was a concoction made from your own bodily fluids in her way, she would turn her attentions on that, presuming it was you and get herself caught on the bent iron nails. So if there appeared in the nearby vicinity someone with a dreadful sudden affliction or who experienced terrible pain whilst urinating, then it was likely to be the witch! Archaeologists have found only four bottles still completely intact with evidence of urine and hair and all sorts of other delights within. In fact, these witch bottles were often thought to explode on the death of the witch, so perhaps these are cases where the charm did not work.
My painting imagines things from the point of view of the witch and what it would be like to be caught there inside a bottle for eternity.
Print from an original painting in oils on burr walnut wood made in 2008.
Inspired by an old English folk magic practice, evidence of which has come to light in the rebuilding and renovating of old buildings in recent years. The making of witch bottles dates back at least to the 15th century and is a form of apotropaic charm (i.e. one that wards off evil). If someone believed that they were the victim of a witch's spell, they would take an old pot-bellied bottle, often made of blue or green glass, or a stoneware container known as a Bellarmine, and fill it with various curious ingredients... First the worried spell victim would drop in some bent iron nails or pins, then some of their own hair, and lastly their urine. Sometimes other items like thorns or pieces of wood, nail clippings, stones, bones, ash, menstrual blood, oil or coins were added to this. Then the bottle would be corked and buried in a significant place. Many witch bottles have been discovered underneath the hearth stone, hidden in walls or at the threshold of the house. The idea behind this was that if a witch was sending her spirit to harm you, she would most likely try to enter your home through a doorway, chimney, or other entranceway. If there was a concoction made from your own bodily fluids in her way, she would turn her attentions on that, presuming it was you and get herself caught on the bent iron nails. So if there appeared in the nearby vicinity someone with a dreadful sudden affliction or who experienced terrible pain whilst urinating, then it was likely to be the witch! Archaeologists have found only four bottles still completely intact with evidence of urine and hair and all sorts of other delights within. In fact, these witch bottles were often thought to explode on the death of the witch, so perhaps these are cases where the charm did not work.
My painting imagines things from the point of view of the witch and what it would be like to be caught there inside a bottle for eternity.
Print from an original painting in oils on burr walnut wood made in 2008.
Printed on 100% recycled 285gsm (card weight) parchment-coloured Context Birch paper for a beautiful quality warm and earthy print. On the back is printed the title and details of the image along with Rima's mark.
The last picture shows you the image most clearly; though the actual paper background is cream/off-white which gives the image an added warmth, as you can see in the first photos.
WITCH BOTTLE is available in two sizes: A4 (11.7" x 8.27") and 7" x 5"
It will come packed carefully in a non-plastic cornstarch transparent sleeve and a sturdy envelope.